(Display sharpening is different from print sharpening, for example.) I keeps the total number of files/versions down.Īs you said in another note."no magic bullet" yet. I do one master conversion in ACR, and then add layers for adjustments, including sharpening (as a layer), and turn on the one I need depending upon use. I started to do this with my ACR/PS stuff lately. You do the majority of tweaks on the RAW file, convert that to a single 16-bit PSD, and then just add layers to turn on and off as needed. guide that covers the full plug-in suite: Dfine 2.0, Viveza 2. Not sure that will be able to be accomplished, but the beauty and utility of tools like Aperture and LR, where you basically have only a compact RAW file and then small instruction sets for the adjustments, gets wasted when you have to start creating multiple new versions as very large 16-bit files. Apple Aperture 2 Ken McMahon Apples Aperture software is a post-production. In other words, all of these tools require that the RAW file get processed, and then worked on as a PSD or TIFF type file, over having the ability to create those instruction sets to be applied to an on the fly RAW conversion. The one thing that has not been figured out yet is how to do what I call "pixel pushing" adjustments on true RAW files. That has not been a problem for me yet, and if it does become an issue, I can just shell out to PS from Aperture and work on things there as I do with some other Nik tools. In the PS version you at least get to save things as a layer, which you can change the opacity and blending on, while in Aperture, the changes get baked into the file as a new version. There is still a difference in the PS and Aperture versions of Viveza. Not sure how fast that U-point tech is going to be adopted in other apps, either, so like many things, first to the party gets to set the prices a bit more Package Dimensions: 7.9 x 5.9 x 1.I agree that the pricing does seem awfully high. For the first time, corrections and enhancements can quickly and easily be made without the need to create complicated selections or layer masks. End users will be authorized for only one license of any Nik Software Viveza 2: Academic License Program software product. Viveza, powered by U Point technology for direct on-image editing, is the most powerful and precise tool available to control light and color in photographic images. Proof of eligibility will be required after purchase in order to use the software. This Viveza 2: Academic License Program software is only for use by students, teachers, instructors and other educators who meet Nik Software eligibility guidelines. New global image controls, levels and curves adjustments, shadow recovery, fine detail structure control, grouped Control Points, and timesaving interface controls ensure quick and easy corrections and professional enhancements. Permits color and light adjustments on precise selections not otherwise possible or practical in Photoshopĭetails: Viveza 2, powered by U Point technology, is the most powerful and precise tool available to selectively control light and color in photographic images without the need to create complicated selections or layer masks.Greatly simplifies the task of enhancing color and light in Photoshop either globally or selectively.Highest quality with professional results.High quality global image adjustments enable image wide adjustments that can later be refined selectively with control points.Control points powered by U Point technology provide the most powerful way to selectively adjust color and tonality quickly and easily.Refine each detail using structure adjustment and shadow adjustment toolsGet up and running easily and streamline the learning process in the classroom with the support of an informative, lesson-based Help system.Selective Brush tool enables the enhancement to be painted into the image quickly and intuitively in Photoshop Save time and ensure consistent results with a new global image adjustments feature for applying color, light or structure enhancements.U Point technology with direct on-image editing eliminates the need to use selections and layer masksPrecisely and selectively apply color, light and tonality for accurate results.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |